Godapitiya Jethavana Viharaya

Godapitiya Jethavana Viharaya
Godapitiya Jethavana Viharaya

Jethavanarama Raja Maha Viharaya (Sinhala: ගොඩපිටිය ජේතවන රජමහා විහාරය) is a Buddhist temple in Godapitiya village near Akuressa town in Matara District, Sri Lanka. It is located adjacent to Godapitiya Sudarshanarama Viharaya.

History

Godapitiya Jethavana Viharaya

Although locals link the history of this temple to the reign of King Devanampiyatissa (247-207 B.C.), an inscribed stone mantle at the temple records that this temple was constructed around 1788 by the Buddhist monk Agalakada Sri Dhammarakkhita Thera who constructed the image house of the temple with the patronage of royals (Abeyawardana, 2004; Wikramaratne, 2015). King Sri Rajadhi Rajasinha (1781-1798 A.D.) of Kandy is said to have contributed to the development of this temple (Wikramaratne, 2015).

Built on the bank of the Nilwala Ganga River, the original temple had not been on elevated land (Abeyawardana, 2004). Agalakada Thera is said to have filled this area with earth giving the present name of the village Godapitiya which means "filling flatland" (Abeyawardana, 2004).

In 1806, this temple was involved in a festival known as Ganga Rohana for which a boat procession came upstream from Hitthetiya Viharaya in Matara (Abeyawardana, 2004; Rathanasara & Gamage, 2023). After the festival, the famous commemorative poem "Ganga Rohana Warnanawa" was written and it later gave rise to a controversy regarding the Sinhala language (Abeyawardana, 2004). Saram Mudali (or Mudaliyar David De Saram), the main patron of this festival constructed a three-storeyed structure where the present monks' dwelling building stands (Abeyawardana, 2004; Wikramaratne, 2015). Although it was demolished later, the building housed the library and preaching hall of the temple (Abeyawardana, 2004; Rathanasara & Gamage, 2023).

The Image House

Godapitiya Jethavana Viharaya

The old image house of Jathavana Viharaya is considered an important monument of archaeological value. It preserves a valuable collection of paintings belonging to the traditional Kandyan art tradition (Abeyawardana, 2004). Murals depicting Buddhist themes such as the Suvisi Vivaranaya (Buddha to be receiving the blessing from 24 previous Buddhas), nine planetary deities, twelve zodiac signs and Jataka tales including Sasa, Telapatta, Dhahamsonda are found (Abeyawardana, 2004; Wikramaratne, 2015). Inside the inner chamber of the image house is a statue of Buddha flanked on either side by the two chief disciples, Sariputta (left) and Moggallana (right). Of the valuable statues of the image house, the gold painted bronze statue of the Buddha in a walking posture is notable (Abeyawardana, 2004; Wikramaratne, 2015). Offered by Saram Mudali, it is considred the first statue in the country depicting Buddha in walking posture (Rathanasara & Gamage, 2023). A mdel of the Jethavana Vihara decorated with ivory doors can also be seen among the offerings of the temple.

Considering the value and importance, some of the casket paintings from Godapitiya Rajamaha Viharaya were depicted in the govenment postage stamps issued in 1984.

Godapitiya Jethavana Viharaya
Murals and sculptures in the image house
Godapitiya Jethavana Viharaya
Murals and sculptures in the image house

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References

Books, Journal Articles

1) Abeyawardana, H.A.P., 2004. Heritage of Ruhuna: Major natural, cultural and historic sites. Colombo: The Central Bank of Sri Lanka. ISBN: 955-575-073-4. p.61.
2) Rathanasara, K. and Gamage, G.C.L., 2023. Exploring the Role of the Gaṃgārohaṇa Pūjā in Sri Lankan Religious, Social, and Political Contexts. International Journal of Multidisciplinary Studies, 10(3), pp.51-67.
3) Wikramaratne, I., 2015. Pauranika Sthana Saha Smaraka: Matara Distrikkaya (In Sinhala). Department of Archaeology (Sri Lanka). ISBN: 955-9159-54-2. p.21.

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Attribution

To Whom

#) LankaPradeepa.com extends its gratitude to V. M. Vidanapathirana and Lalith Kekulthotuwage for providing the necessary photographs required for this article. All the photos are published here with the permission of the author.

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