Kantaka Cetiya

Kantaka Cetiya (also known as Kanthaka Dagoba/Chethiya) is a Stupa located in the ancient Buddhist complex monastery of Mihintale, Anuradhapura District, Sri Lanka. The Stupa is notable as it has best and the most ancient ornamental frontispieces (Vahalkada) found in the country (Jayasuriya, 2016; Wikramagamage, 2004).

History

This Stupa is believed to have been constructed during or soon after the reign of King Devanampiyatissa [(247-207 B.C.) Nicholas, 1963]. According to Mahawamsa, Devanampiya Tissa had refurbished sixty-eight caves (present Ataseta Len) in the neighborhood of the Kantaka Cetiya for the use of the monks headed by Arhat Mahinda. During the reign of King Lanja Tissa (119-109 B.C.) a Chatra stone (a stone umbrella) had been added to the Stupa (Nicholas, 1963; Wikramagamage, 2004). King Mahadhathika Mahanaga (9-21 A.D.) held a great festival at this site which became known as the Giribhanda festival (Nicholas, 1963). In the 8th century A.D., King Udaya I (797-801 A.D.) restored Giribhanda Viharaya (Nicholas, 1963). The Mihintale Slab Inscriptions of Mahinda IV has mentioned this Stupa as Kiribandpavu Dagoba (Nicholas, 1963; Wikramagamage, 2004).

Inscriptions

One of the two inscriptions mentioning the name of King Mahadhathika Mahanaga (9-21 A.D.) at Mihintale is found on a rock surface near the Kantaka Stupa (Sirisoma, 1990). This inscription records the donations made to the Kataca Ceta (Kantaka Cetiya) by two kings, King Tisa (Bhathika Tissa) and King Naka [(Mahadhathika Mahanaga) Sirisoma, 1990]. From the Stupa name given in this inscription, it has been believed that the Stupa now called Kantaka Cetiya is the same as the Kantaka Cetiya that is mentioned in the chronicle Mahawamsa.

Kantaka Cetiya Rock Inscription Scripts      : Later Brahmi Language : Old Sinhala Content : The great King Bhatikatissa gave the revenues  from   the  land  and  water  taxes  of Kabavika tank to the Kantaka Cetiya. The great King Mahadathika Mahanaga having purchased Balayatha-Gamakavi  tank gave  to the Kantaka Cetiya  the  revenues  from  the  land and water taxes. Reference : The information board at the site by the Department of Archaeology and Ministry of National Heritage and Cultural Affairs

Kantaka Cetiya Cave Inscription Period : 3rd Century B.C.-1st Century A.D. Scripts      : Early Brahmi Language : Old Sinhala Transcript : Parumaka Naga puta Asaliya  lene agata anagata catudisika sagaye Translation : The  cave  of Asali, son  of the chief Naga is donated  to the Sangha of  the four quarters, present and absent Reference :  Paranavitana, S., 1970; The information   board   at   the  site   by  the Department of Archaeology and Ministry of National Heritage and Cultural Affairs

Stupa

Kantaka Cetiya Stupa is 21 m in height and has a peripheral length of about 127.5 m (Wikramagamage, 2004). The stone works of Kantaka Cetiya are dated to about the beginning of the Christian era. Two terracotta figures belonging to the 5th century have also been found in the temple premises (Paranavitana, 1950).

 

Frontispieces

Frontispieces which are at the cardinal points of the Stupa are formed of horizontal bands separated by string-courses (left photograph). The flank of the frontispieces is adorned with limestone stelaes which contain the oldest specimens of the plastic art of the country (Paranavitana, 1950). According to Wikramagamage, these frontispieces may belong to the 1st century A.D. or to a period even earlier (Wikramagamage, 2004).

As found in the frontispieces at Abhayagiri, Jetavana, and Ruwanweliseya Stupas, some remains of ancient paintings have also been found in the frontispieces of Kantaka Cetiya (Wikramagamage, 2004).

References

1) Jayasuriya, E., 2016. A guide to the Cultural Triangle of Sri Lanka. Central Cultural Fund. ISBN: 978-955-613-312-7. p.59.
2) Nicholas, C. W., 1963. Historical topography of ancient and medieval Ceylon. Journal of the Ceylon Branch of the Royal Asiatic Society, New Series (Vol VI). Special Number: Colombo. Royal Asiatic Society (Ceylon Branch). p.163.

3) Paranavitana, S., 1950. Sinhalese Art and Culture. Journal of the Royal Society of Arts, 98(4822), pp.588-605.
4) Paranavitana, S., 1970. Inscription of Ceylon: Volume I: Early Brahmi Inscriptions. Department of Archaeology Ceylon. p.2.
5) Sirisoma, M.H.; [Wijesekera, N (Editor in chief)], 1990. Brahmi inscriptions of Sri Lanka from 3rd century B.C. to 65 A.D. Archaeological department centenary (1890-1990): Inscriptions. Commissioner of Archaeology. pp.28, 35.

6) Wikramagamage, C., 2004. Heritage of Rajarata: Major natural, cultural and historic sites. Colombo. Central Bank of Sri Lanka. pp.159-164.

Location Map

This page was last updated on 24 May 2021
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